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Analysis Of Two Films Directed By Mira Nair

7 Pages 1838 Words


emerged, and it was clear almost from the start that the star was an 11-year-old street child named Shafiq Syed, whose history was unknown, but who proved to be such a natural filmmaker that he sometimes reminded the directors of errors in continuity. Using Syed and shooting on actual locations in Bombay, director Mira Nair has been able to make a film that has the everyday, unforced reality of documentary, and yet the emotional power of great drama. "Salaam Bombay!" is one of the best films of the year.
Syed plays its hero, a boy named Chaipau who works for a traveling circus. One day he is sent on an errand - to get some cigarettes from a neighboring village - and when he returns, the circus has packed up and disappeared. He goes to a nearby village and takes a train to Bombay, following some half-formed plan to return to his native village and his mother, who perhaps sold him to the circus. But Chaipau cannot read or write, and he is not quite sure where his village is, or perhaps even what it is named, and he disappears naturally into the ranks of thousands of children who live, and die, on the streets of Bombay.
These streets are without doubt a cruel...

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